The Dauphin's Entry Into Paris
Painting by Jean-Auguste-Dominique Ingres
The Dauphin's Entry Into Paris is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, executed in 1821. It is now in the Wadsworth Atheneum collection in Hartford, Connecticut.
As a small-scale painting of a scene from medieval history it belongs to the painter's Troubador style period. It shows the future Charles V of France returning to Paris on 2 August 1358 after a revolt there.[1] It was commissioned by Amédée-David Pastoret, whose ancestor Jehan Pastoret, president of the parliament of Paris, is shown in red.
See also
Notes
- ^ Condon et al. 239.
Bibliography
- Condon, Patricia; Cohn, Marjorie B.; Mongan, Agnes (1983). In Pursuit of Perfection: The Art of J.-A.-D. Ingres. Louisville: The J. B. Speed Art Museum. ISBN 0-9612276-0-5
- Rosenblum, Robert (1986). Ingres. Paris: Cercle d'Art, coll. "La Bibliothèque des Grands Peintres". (ISBN 2-7022-0192-X)
- Ternois, Daniel (1980). Ingres. Paris: Fernand Nathan. (ISBN 2-09-284-557-8)
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Jean-Auguste-Dominique Ingres
paintings
- The Ambassadors of Agamemnon in the tent of Achilles (1801)
- Oedipus and the Sphinx (1808)
- Jupiter and Thetis (1811)
- Romulus' Victory Over Acron (1812)
- Virgil reading The Aeneid before Augustus, Livia and Octavia (1812)
- The Dream of Ossian (1813)
- Raphael and La Fornarina (1813)
- Paolo and Francesca (1814–1819)
- Don Pedro of Toledo Kissing Henry IV's Sword (1814)
- Aretino and Charles V's Ambassador (1815)
- Henry IV Receiving the Spanish Ambassador (1817)
- The Death of Leonardo da Vinci (1818)
- Roger Freeing Angelica (1819)
- The Dauphin's Entry Into Paris (1821)
- The Vow of Louis XIII (1824)
- The Apotheosis of Homer (1827)
- The Martyrdom of Saint Symphorian (1834)
- The Illness of Antiochus (1840)
- The Odyssey (1850)
- Joan of Arc at the Coronation of Charles VII (1854)
- The Half-Length Bather (1807)
- The Valpinçon Bather (1808)
- La Dormeuse de Naples (1809)
- Grande Odalisque (1814)
- The Source (c 1820)
- Odalisque with Slave (1842)
- Venus Anadyomene (1848)
- The Turkish Bath (1863)
- Bonaparte, First Consul (1804)
- Portrait of Philibert Rivière (1805)
- Portrait of Marie-Françoise Rivière (1805–06)
- Mademoiselle Caroline Rivière (1806)
- Napoleon I on His Imperial Throne (1806)
- La Belle Zélie (1806)
- Portrait of Madame Duvaucey (1807)
- Portrait of Charles Marcotte (1810)
- Portrait of Paul Lemoyne (1811)
- Portrait of Madame de Senonnes (1814)
- Portrait of Caroline Murat, Queen of Naples (1814)
- Portrait of Madame Jacques-Louis Leblanc (1823)
- Portrait of Madame Marcotte de Sainte-Marie (1826)
- Portrait of Amédée de Pastoret (1826)
- Portrait of Monsieur Bertin (1832)
- Luigi Cherubini and the Muse of Lyric Poetry (1842)
- Portrait of Comtesse d'Haussonville (1845)
- Portrait of Baronne de Rothschild (1848)
- Portrait of Madame Moitessier (1844–1856)
- The Princesse de Broglie (1851–1853)
- Portrait of Madame Ingres (1859)
- Self-Portrait Aged 24 (1806)
- Self-Portrait at Seventy-Eight (1858)
- Antwerp Self-Portrait (1864-1865)
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