The Burial of Saint Lucy
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Seppellimento di santa Lucia]]; see its history for attribution.
- You may also add the template
{{Translated|it|Seppellimento di santa Lucia}}
to the talk page. - For more guidance, see Wikipedia:Translation.
The Burial of Saint Lucy | |
---|---|
Italian: Seppellimento di Santa Lucia | |
Artist | Caravaggio |
Year | 1608 |
Medium | Oil on canvas |
Dimensions | 408 cm × 300 cm (161 in × 120 in) |
Location | Chiesa di Santa Lucia al Sepolcro, Syracuse |
Burial of Saint Lucy is a painting by the Italian artist Caravaggio. It is located in the church of Santa Lucia al Sepolcro in Syracuse, Sicily.
History
According to The Golden Legend, Saint Lucy had bestowed her wealth on the poor, in gratitude for the miraculous healing of her mother. Denounced as a Christian by her own suitor who wrongly suspected her of infidelity, she refused to recant, offered her chastity to Christ, and was sentenced to be dragged to a brothel. Miraculously, nothing could move her or displace her from the spot where she stood. She was pierced by a knife in the throat and, where she fell, the church of Santa Lucia al Sepolcro in Syracuse was built.[1]
Caravaggio had escaped from prison on Malta in 1608, fleeing to Syracuse. There his Roman companion Mario Minniti helped him get a commission for the present altarpiece. Caravaggio painted it in 1608, for the Franciscan church of Santa Lucia al Sepolcro. The choice of subject was driven by the fact that Saint Lucy was the patron saint of Syracuse and had been interred below the church.[2] The subject was unusual, but especially important to the local authorities, who were eager to reinforce the local cult of Saint Lucy, which had sustained a setback with the theft of her remains during the Middle Ages.[3]
Style
The similarities of the painting with Caravaggio's Resurrection of Lazarus has been pointed out and the scholar Howard Hibbard has spoken of the "powerful emptiness" of the final rendered version of the painting.[2]
See also
References
External links
- Media related to Burial of Saint Lucy by Caravaggio at Wikimedia Commons
- v
- t
- e
- Boy Peeling Fruit (c. 1592)
- Young Sick Bacchus (c. 1593)
- Boy with a Basket of Fruit (c. 1593)
- Boy Bitten by a Crayfish (c. 1593; lost)
- The Fortune Teller (c. 1594)
- The Cardsharps (c. 1594)
Del Monte paintings
- The Musicians (c. 1595)
- Saint Francis of Assisi in Ecstasy (c. 1595)
- Boy Bitten by a Lizard (c. 1596)
- The Lute Player (c. 1596)
- Bacchus (c. 1596)
- Penitent Magdalene (c. 1597)
- Rest on the Flight into Egypt (c. 1597)
- Medusa (c. 1597)
- Portrait of a Courtesan (Fillide Melandroni) (c. 1597)
- Jupiter, Neptune and Pluto (c. 1597)
- Saint Catherine of Alexandria (c. 1598)
- The Sacrifice of Isaac (Princeton; c. 1598)
- John the Baptist (c. 1598)
- Martha and Mary Magdalene (c. 1598)
- Portrait of Maffeo Barberini (1598)
- Basket of Fruit (c. 1599)
- Judith Beheading Holofernes (c. 1599)
- David and Goliath (c. 1599)
- Narcissus (c. 1599)
Most famous
painter in Rome
- The Calling of Saint Matthew (1599–1600)
- The Martyrdom of Saint Matthew (1599–1600)
- The Conversion of Saint Paul (1600)
- The Crucifixion of Saint Peter (1601)
- The Conversion of Saint Paul on the Road to Damascus (1601)
- Supper at Emmaus (London; 1601)
- Amor Victorious (1602)
- Saint Matthew and the Angel (1602; destroyed)
- The Inspiration of Saint Matthew (1602)
- The Incredulity of Saint Thomas (c. 1602)
- The Taking of Christ (1602)
- The Entombment of Christ (c. 1603)
- Saint Francis in Prayer (c. 1603)
- The Calling of Saints Peter and Andrew (c. 1603–1606)
- Madonna of Loreto (Madonna dei Pellegrini, Pilgrims' Madonna) (c. 1604)
- The Crowning with Thorns (Prato; 1604)
- The Death of the Virgin (1604)
- Christ on the Mount of Olives (1605)
- Ecce Homo (Genoa; c. 1605)
- Saint Jerome in Meditation (c. 1605)
- Saint Jerome Writing (Rome; c. 1605)
- Portrait of Pope Paul V (1605)
- Still Life with Fruit (1605)
- Madonna and Child with Saint Anne (Dei Palafrenieri) (1606)
Naples and Malta
- Ecce Homo (Madrid; c. 1605–1609)
- Mary Magdalen in Ecstasy (1606)
- Saint Francis in Meditation (1606)
- Supper at Emmaus (Milan; 1606)
- The Seven Works of Mercy (1606)
- The Crucifixion of Saint Andrew (1607)
- David with the Head of Goliath (Vienna; 1607)
- Madonna of the Rosary (1607)
- The Crowning with Thorns (Vienna; 1607)
- The Flagellation of Christ (c. 1607)
- Christ at the Column (c. 1607)
- Salome with the Head of John the Baptist (London; c. 1607)
- Saint Jerome Writing (Valletta; 1607)
- Portrait of Alof de Wignacourt and his Page (1607–1608)
- Portrait of Fra Antonio Martelli (1608)
- The Beheading of Saint John the Baptist (1608)
- Sleeping Cupid (1608)
Sicily and Naples
- The Annunciation (1608)
- The Burial of Saint Lucy (1608)
- The Raising of Lazarus (1609)
- Adoration of the Shepherds (1609)
- Nativity with Saint Francis and Saint Lawrence (1609; lost)
- Salome with the Head of John the Baptist (Madrid; 1609)
- Denial of Saint Peter (1610)
- The Martyrdom of Saint Ursula (1610)
- David with the Head of Goliath (Rome; 1610)
- Paintings attributed to Caravaggio
- Utrecht Caravaggism
- Caravaggisti
- Caravaggio, il pittore maledetto
- Caravaggio (1986 film)
- Caravaggio (2007 film)
- Caravaggio's Shadow