With Cannonball Adderley With Nat Adderley With Toshiko Akiyoshi With Chet Baker With Kenny Burrell With Donald Byrd With Sonny Clark With John Coltrane With Sonny Criss With Miles Davis - Miles (Prestige 1956)
- Collectors' Items (Prestige 1956)
- 'Round About Midnight (Columbia, 1957)
- Cookin (Prestige 1957)
- Miles Ahead (Columbia, 1957)
- Relaxin (Prestige 1958)
- Milestones (Columbia, 1958)
- Porgy and Bess (Columbia, 1959)
- Kind of Blue (Columbia, 1959)
- Steamin (Prestige 1960)
- Sketches of Spain (Columbia, 1960)
- Workin (Prestige 1961)
- Jazz at the Plaza Vol. I (Columbia, 1973) – rec. 1958
- 1958 Miles (Columbia, 1974) – rec. 1958
- Someday My Prince Will Come (Columbia, 1961)
- In Person Friday and Saturday Nights at the Blackhawk, Complete (1961)
- Quiet Nights (Columbia, 1962)
- Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4 (Columbia Legacy, 2015)
With Kenny Dorham - Blue Spring (Riverside, 1959)
- Quiet Kenny (Prestige 1959)
- Whistle Stop (Blue Note, 1961)
With Gil Evans With Curtis Fuller With Red Garland With Benny Golson With Dexter Gordon With Bennie Green With Johnny Griffin With Jimmy Heath With Joe Henderson - Four (Verve, 1968)
- Straight, No Chaser (Verve, 1968)
With Elmo Hope With Milt Jackson With J. J. Johnson With Philly Joe Jones With Wynton Kelly - Piano (Riverside, 1958)
- Kelly Blue (Riverside, 1959)
- Kelly at Midnight (Vee-Jay, 1960)
- Kelly Great (Vee-Jay, 1960)
- Wynton Kelly! (Vee-Jay, 1961)
- Comin' in the Back Door (Verve, 1963)
- It's All Right! (Verve, 1964)
- Undiluted (Verve, 1965)
- Blues on Purpose (Xanadu, 1965)
- Last Trio Session (Delmark, 1968)
With King Curtis With Abbey Lincoln - That's Him! (Riverside, 1957)
- It's Magic (Riverside, 1958)
With Les McCann With Hal McKusick With Jackie McLean With Hank Mobley With Lee Morgan With Wes Montgomery - Full House (Riverside, 1962)
- Smokin' at the Half Note (Verve, 1965)
- Maximum Swing: The Unissued 1965 Half Note Recordings (Resonance, 1965)[2]
- Willow Weep for Me (Verve, 1969)
With Art Pepper With Bud Powell - Bud! The Amazing Bud Powell (Vol. 3) (Blue Note, 1957)
- The Scene Changes: The Amazing Bud Powell (Vol. 5) (Blue Note, 1958)
With Freddie Redd With Sonny Rollins | With others - Pepper Adams,Pepper Adams Plays the Compositions of Charlie Mingus (Workshop Jazz, 1964) – rec. 1963
- Lorez Alexandria, Alexandria the Great (Impulse!, 1964)
- Gene Ammons, Jammin' in Hi Fi with Gene Ammons (Prestige, 1957)
- Walter Benton, Out of This World (Jazzland, 1960)
- Bob Brookmeyer, Jazz Is a Kick (Mercury, 1960)
- Tina Brooks, Back to the Tracks (Blue Note, 1960)
- Jaki Byard, On the Spot! (Prestige, 1967)
- Kenny Clarke,Bohemia After Dark (Savoy, 1955)
- Jimmy Cleveland, Introducing Jimmy Cleveland and His All Stars (EmArcy, 1955)
- John Graas, Jazz Lab 2 (Decca, 1957)
- Kenny Drew, Kenny Drew Trio (Riverside, 1956)
- Teddy Edwards, Nothin' But the Truth! (Prestige, 1966)
- Bill Evans, On Green Dolphin Street (Riverside, 1959)
- Jane Fielding and the Kenny Drew Quintet, Embers Glow (Jazz:West, 1956)
- Grant Green, First Session (Blue Note, 1960)
- Gigi Gryce,Jazz Lab (Jubilee, 1958) with Donald Byrd
- Herbie Hancock, Inventions and Dimensions (Blue Note, 1963)
- Barry Harris, Bull's Eye! (Prestige, 1968)
- Hampton Hawes, Bird Song (Contemporary, 1999) – rec. 1956
- Roy Haynes, We Three (New Jazz, 1959)
- Ernie Henry, Last Chorus (Riverside, 1956–57)
- Richard "Groove" Holmes, Get Up & Get It! (Prestige, 1967)
- Freddie Hubbard, Goin' Up (Blue Note, 1960)
- John Jenkins, John Jenkins with Kenny Burrell (Blue Note, 1957)
- Elvin Jones, And Then Again (Atlantic, 1965)
- Hank Jones, Hank Jones' Quartet (Savoy, 1956)
- Thad Jones, After Hours (Prestige, 1957)
- Quincy Jones, This Is How I Feel About Jazz (ABC-Paramount, 1957)
- Clifford Jordan, Cliff Jordan (Blue Note, 1957)
- Warne Marsh, Warne Marsh (Atlantic, 1958)
- Blue Mitchell, Out of the Blue (Riverside, 1958)
- Thelonious Monk, Brilliant Corners (Riverside, 1956)
- Oliver Nelson, The Blues and the Abstract Truth (Impulse!, 1961)
- Phineas Newborn Jr., A World of Piano! (Contemporary, 1961)
- David "Fathead" Newman, Straight Ahead (Atlantic, 1961)
- Houston Person, Trust in Me (Prestige, 1967)
- The Prestige All Stars, Interplay for 2 Trumpets and 2 Tenors (Prestige, 1957)
- Ike Quebec, Blue and Sentimental (Blue Note, 1961)
- Paul Quinichette, Moods (EmArcy, 1954)
- Sonny Red, Out of the Blue (Blue Note, 1960)
- Dizzy Reece, Star Bright (Blue Note, 1959)
- A. K. Salim, Pretty for the People (Savoy, 1957)
- Sahib Shihab, Jazz Sahib (Savoy, 1957)
- Woody Shaw, In the Beginning (Muse, 1983) – rec. 1965
- Wayne Shorter, Introducing Wayne Shorter (Vee-Jay, 1959)
- Louis Smith, Smithville (Blue Note, 1958)
- Sonny Stitt, Sonny Stitt - Previously Unreleased Recordings (Verve, 1973) – rec. 1960
- Frank Strozier, Fantastic Frank Strozier (Vee-Jay, 1960)
- Art Taylor, A.T.'s Delight (Blue Note, 1960)
- Clark Terry, Serenade to a Bus Seat (Riverside, 1957)
- Stanley Turrentine, ZT's Blues (Blue Note, 1961)
- George Wallington, Live at the Café Bohemia (Progressive, 1955)
- Julius Watkins and Charlie Rouse, Les Jazz Modes (Dawn, 1957)[3]
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