Naima Wifstrand
Naima Wifstrand | |
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![]() Naima Wifstrand, 1950s | |
Born | Siri Naima Matilda Wifstrand (1890-09-04)4 September 1890 Stockholm, Sweden |
Died | 23 October 1968(1968-10-23) (aged 78) Stockholm, Sweden |
Occupation(s) | Actress, singer, composer |
Years active | 1905–1968 |
Spouse | Captain Erling Nielsen (1921–1928) |
Naima Wifstrand (pronounced [ˈnâjma ˈvîːfstrand];[check tonemes] 4 September 1890 – 23 October 1968) was a Swedish film actress, operetta singer, troubadour, director and composer. In her later years, she was cast in several supporting roles in Ingmar Bergman films.
Biography
Born Siri Naima Matilda Wifstrand in Stockholm in 1890, she was raised by her mother in Fleminggatan. Wifstrand never trained acting but learned the art thoroughly when she in 1905 joined the Anna Lundberg Theatre Company, a well reputed and respected theatre company in Sweden at the time. She travelled with them for a number of years, appearing in small parts. This eventually led her to small parts at theatres in Helsinki and around Stockholm. But at this time Wifstrand did not have her mind set on acting, instead she sought to be a singer. And it was as a grand operetta singer she became famous and enjoyed a successful star career for 30 years in Sweden.
Career and break-through
Wifstrand studied music and singing in Stockholm at the Swedish Royal Academy of Music and in 1910 she went to London and further trained for Raymond von zur Mühlen. After her studies she was one of the most acknowledged operetta singers in Scandinavia. She worked at Oscarsteatern from 1913 to 1918, and toured Sweden and Scandinavia for years. Greta Garbo admired Wifstrand in this time, and patterned some of her performances after Wifstrand's.[1]
Wifstrand's big breakthrough came as Countess Stasi in Emmerich Kálmán's operetta Die Csárdásfürstin in 1916. She worked in the 1920s mainly at the opera houses in Oslo and Copenhagen. For many years she lived in London where she performed with troubadour-songs alone along with her guitar, or with a piano accompanist.[2] When the first attempts at broadcast television took place in Britain, Wifstrand became one of the first "TV stars", as she appeared on TV in the 1930s and performed a number of songs.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Naima_wifstrand-czardasfurstinnan.jpg/210px-Naima_wifstrand-czardasfurstinnan.jpg)
In 1937 Swedish stage director Per Lindberg cast her as Mother Peachum in Bertolt Brecht's The Threepenny Opera (in Swe: Tolvskillingsoperan) which became a hugely successful production and toured with the National Swedish Touring Theatre. When Bertolt Brecht later left Germany because of the Nazis he first moved to Sweden where he lived for a time and wrote the part Mother Courage especially for Wifstrand – but sadly, she herself never got to play the part in what became one of Brecht's most successful plays. During his stay in Sweden, Wifstrand had helped Brecht both financially and also personally with accommodation.[3]
Filming and Bergman
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Joh_dollarprinsessan.jpg/210px-Joh_dollarprinsessan.jpg)
Naima Wifstrand in the 1940s planned to retire from her own stage career by turning to directing, first at the Royal Swedish Opera 1944–1946. However, due to some successful supporting parts in some Swedish 1940s films – where Naima surprised critics and proved herself a surprisingly strong and charismatic character actress – a number of Sweden's young stage and film directors approached her and offered her parts in dramatic productions on stage: one of these young directors was Ingmar Bergman. Later on Wifstrand became one of the director's most reliable and longtime ensemble actors. She was part of Bergman's ensemble (1954–1961) during all his legendary years at Malmö City Theatre.[4][5] Later he would also cast her in some of his most memorable early films, including Wild Strawberries, Smiles of a Summer Night[6] and The Magician. Aside from this she also worked with the new established Stockholm City Theatre 1962–1963 and at Gothenburg City Theatre from 1964.
Naima Wifstrand was married to captain Erling Nielsen from 1921 to 1928.
Selected filmography
- Madame besøker Oslo (1927) - Madam Vera
- Pjerrot (1931)
- Pierrot græder (1931)
- Kungsgatan (1943) - Caretaker's Wife
- En dotter född (1944) - Edit
- Se opp för spioner! (1944) - Madame Carin
- Sten Stensson kommer till stan (1945) - Emma Bohrn
- Flickor i hamn (1945) - Mrs. Holst
- Stiliga Augusta (1946) - Fru Lundahl
- Evening at the Djurgarden (1946) - Mrs. Bender
- Jag älskar dig, argbigga (1946) - Anna
- Hotell Kåkbrinken (1946) - Mia
- How to Love (1947) - Vera Stätt
- Life in the Finnish Woods (1947) - Mrs. Sigrid Malm
- Two Women (1947) - Mrs. Jonsson
- Två kvinnor (1947) - Mrs. Jonsson
- The Night Watchman's Wife (1947) - Mrs. Eklund
- Det kom en gäst... (1947) - Grevinna Doris af Ernstam
- The People of Simlang Valley (1947) - Skoga-Börta
- The Poetry of Ådalen (1947) - Kersti
- Den långa vägen (1947) - Hedvig Charlotta Nordenflycht
- Music in Darkness (1948) - Mrs. Schröder
- Lappblod (1948) - Mina
- Hammarforsens brus (1948) - Marit's Grandma
- Sunshine (1948) - Helena
- Private Bom (1948) - Översköterskan
- Kvinnan gör mig galen (1948) - Hulda
- Flottans kavaljerer (1948) - Mateos mor
- The Devil and the Smalander (1949) - Titta Grå
- Playing Truant (1949) - Dehlin
- Thirst (1949) - Naima Wifstrand
- Singoalla (1949) - Cioara
- Fästmö uthyres (1950) - Old Lady
- Södrans revy (1950)
- My Name Is Puck (1951) - Agneta Lindman
- Valley of Eagles (1951) - Baroness Erland
- Say It with Flowers (1952) - Mrs. Lagerberg
- The Clang of the Pick (1952) - Narrator / Clothes Saleswoman
- Secrets of Women (1952) - Mrs. Lobelius (uncredited)
- For the Sake of My Intemperate Youth (1952) - Vendela Påhlman
- Ursula, the Girl from the Finnish Forests (1953) - Mossi
- The Road to Klockrike (1953) - Waterhead's Mother
- The Beat of Wings in the Night (1953) - Ane
- Malin går hem (1953)
- The Magnificent Lie (1955) - Gertrud (50 years later)
- The Dance Hall (1955) - 'Madame'
- Dreams (1955) - Mrs. Arén (uncredited)
- Paradise (1955) - Mrs. Ekström
- Smiles of a Summer Night (1955) - Mrs. Armfeldt
- La Sorcière (1956) - Maila
- The Girl in Tails (1956) - Widow Hyltenius
- My Passionate Longing (1956) - Lisa
- Mr. Sleeman Is Coming (1957, TV Movie) - Tant Bina
- Seventeen Years Old (1957) - Clara
- Wild Strawberries (1957) - Mrs. Borg - Isak's Mother
- The Magician (1958) - Granny Vogler
- The Judge (1960) - Mrs. Wangendorff
- Briggen Tre Liljor (1961) - Farmor Tuvesson
- Nils Holgerssons underbara resa (1962) - Mother Akka (voice)
- Myten (1966) - Mrs. von Grün
- Night Games (1966) - Astrid
- Hour of the Wolf (1968) - Old Lady with Hat
- Vindingevals (1968) - The Old Lady
References
- ^ von Caub, Elizabeth (30 March 1936). "Greta Garbo, Her True Story". The Pittsburgh Press. p. 17. Retrieved 6 February 2024 – via Newspapers.com.
- ^ "Naima Wifstrand". The Daily Telegraph. 27 February 1934. p. 8. Retrieved 6 February 2024 – via Newspapers.com.
- ^ Gelber, Bill (14 February 2023). Engaging with Brecht: Making Theatre in the Twenty-first Century. Springer Nature. p. 29. ISBN 978-3-031-20394-7.
- ^ Steene, Birgitta (2005). Ingmar Bergman: A Reference Guide. Amsterdam University Press. p. 790. ISBN 978-90-5356-406-6.
- ^ Marker, Frederick J.; Marker, Lise-Lone (28 November 2002). Strindberg and Modernist Theatre: Post-Inferno Drama on the Stage. Cambridge University Press. p. 141. ISBN 978-0-521-62377-3.
- ^ Gervais, Marc (1999). Ingmar Bergman: Magician and Prophet. McGill-Queen's Press - MQUP. p. 43. ISBN 978-0-7735-2004-2.
External links
- Naima Wifstrand at Svenskt kvinnobiografiskt lexikon
- Naima Wifstrand at IMDb