Karl Friedrich Fries

German painter

You can help expand this article with text translated from the corresponding article in German. (September 2016) Click [show] for important translation instructions.

Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Karl Friedrich Fries]]; see its history for attribution.
You may also add the template {{Translated|de|Karl Friedrich Fries}} to the talk page.
For more guidance, see Wikipedia:Translation.

Karl Friedrich Fries (1831 at Winnweiler, Germany – 1871 at St. Gall, Switzerland), studied first at the Academy at Munich, and afterwards under Berdellé. He visited Vienna, and painted there under Rahl; then went to Venice, Florence, and Calabria, where he studied the old masters. His style much resembles that of the Venetian painters.

The following are some of his works:

Wine, Woman, and Song; in the style of Paolo Veronese. 1862.
The Mineral Bath in the Abruzzi.
Several copies of the Ascension of the Virgin; after Titian.
St. Barbara; after Palma Vecchio.

References

This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "FRIES, Karl Friedrich". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.