Composed upon Westminster Bridge, September 3, 1802
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendor, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! The very houses seem asleep;
And all that mighty heart is lying still!
William Wordsworth: Poems, in Two Volumes: Sonnet 14
"Composed upon Westminster Bridge, September 3, 1802" is a Petrarchan sonnet by William Wordsworth describing London and the River Thames, viewed from Westminster Bridge in the early morning. It was first published in the collection Poems, in Two Volumes in 1807.
History
The sonnet was originally dated 1803, but this was corrected in later editions and the date of composition given precisely as 31 July 1802, when Wordsworth and his sister Dorothy were travelling to Calais to visit Annette Vallon and his daughter Caroline by Annette, prior to his forthcoming marriage to Mary Hutchinson.
The sonnet has always been popular, escaping the generally excoriating reviews from critics such as Francis Jeffrey in the Edinburgh Review when Poems in Two Volumes was first published. The reason undoubtedly lies in its great simplicity and beauty of language, turning on Dorothy's observation that this man-made spectacle is nevertheless one to be compared to nature's grandest natural spectacles. Cleanth Brooks analysed the sonnet in these terms in The Well Wrought Urn: Studies in the Structure of Poetry.[2] In his essay, "The Language of Paradox", Brooks claims that the poem presents a paradox not in its specific use of images, but in the scenario that the narrator constructs. For instance, London is foregrounded as a natural landscape and as an artificial marvel (both these images running in parallel). This is exemplified in his usage of the epithet "asleep" instead of "dead" in the penultimate line for the houses.[3]
Stephen Gill remarks that at the end of his life Wordsworth, engaged in editing his works, contemplated a revision even of "so perfect a poem" as this sonnet in response to an objection from a lady that London could not both be "bare" and "clothed" (an example of the use of paradox in literature).[4]
That the sonnet so closely follows Dorothy's journal entry comes as no surprise because Dorothy wrote her Grasmere Journal to "give Wm pleasure by it" and it was freely available to Wordsworth, who said of Dorothy that "She gave me eyes, she gave me ears" in his poem "The Sparrow's Nest".[5][6][7]
References
- ^ Wordsworth (2002), p. 12.
- ^ Brooks (1956), p. 5.
- ^ Mambrol, Nasrullah (18 March 2016). "Cleanth Brooks' Concept of Language of Paradox". Literary Theory and Criticism. Retrieved 10 August 2023.
- ^ Gill (1989), pp. 389, 4186n..
- ^ Wordsworth (2002), p. 1.
- ^ Wordsworth, William. "The Sparrow's Nest". Bartleby.com. Retrieved 30 May 2012.
- ^ Bostridge, Mark (9 March 2008). "The Ballad of Dorothy Wordsworth, By Frances Wilson". The Independent. London. Retrieved 30 May 2012.
Sources
- Brooks, Cleanth (1956). The Well Wrought Urn: Studies in the Structure of Poetry. Mariner Books.
- Gill, Stephen (1989). William Wordsworth: A Life. Oxford University Press.
- Wordsworth, Dorothy (2002). Pamela Woof (ed.). The Grasmere and Alfoxden Journals. Oxford University Press.
Further reading
- Davies, Hunter. William Wordsworth, Weidenfeld and Nicolson, 1980
- Wilson, Frances. The Ballad of Dorothy Wordsworth, Faber and Faber, 2008
External links
![](http://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/38px-Wikisource-logo.svg.png)
- Poems: In Two Volumes by William Wordsworth. Longman, Hurst, Rees, and Orme, 1807
- The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052
- "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808
- Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
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- Preface to the Lyrical Ballads
- "Anecdote for Fathers"
- "The Idiot Boy"
- "Lucy Gray"
- The Lucy poems
- The Matthew poems
- "Michael, a Pastoral"
- Lines Written a Few Miles above Tintern Abbey
- "Poor Susan"
- "We Are Seven"
- Poems, in Two Volumes
- Peter Bell
- The White Doe of Rylstone
- "Composed upon Westminster Bridge"
- "Elegiac Stanzas"
- "I Wandered Lonely as a Cloud"
- The Lucy poems
- "London, 1802"
- "My Heart Leaps Up"
- "Ode: Intimations of Immortality"
- "Resolution and Independence"
- "On the Extinction of the Venetian Republic"
- "The Solitary Reaper"
- "The World Is Too Much with Us"
- "To a Butterfly"
- "Character of the Happy Warrior"
- The Yarrow poems
- Dora Wordsworth (daughter)
- Dorothy Wordsworth (sister)
- Christopher Wordsworth (brother)
- Samuel Taylor Coleridge
- Robert Southey
- Wordsworth House (birthplace and childhood home)
- Alfoxton House (1797-1798)
- Dove Cottage (1799-1808)
- Allan Bank (1808-1811)
- Rydal Mount (1813-1850)